PALAZZI CONTARINI DEGLI SCRIGNI  AND  CONTARINI CORFÙ
 

Palazzo Contarini degli Scrigni and Palazzo Contarini Corfù
The façades towards the Grand Canal with Rio di San Trovaso to the right
Photograph by Carlo Ponti c.1880, from the Arfwedson/Greaves archives

The handwritten notes may be contemporary. They indicate that the entrance to the left (degli Scrigni) is Mereweather's and that the entrance to the right (Corfù) is that of the Greaves family.  For thoughts on Merewather's apartment see below.

Palazzo Contarini Corfù was built in the 15h century. Palazzo Contarini degli Scrigni, although of a completely different style, was built in 1609 as an enlargement of the original palace. The whole complex is often referred to as Palazzo Contarini degli Scrigni-Corfù or simply Palazzo Contarini degli Scrigni.

Palazzo Contarini degli Scrigni and Palazzo Contarini Corfù
Photograph kindly provided by Gunilla Björkvall, July 1994
 

View of the Grand Canal towards Rialto
The Contarini palaces can be seen to the left
Photograph by Gunilla Björkvall taken from the Accademia bridge in July 1994
 

View of the Grand Canal with the Accademia bridge
The Contarini palaces can be seen behind the bridge to the left
Photograph by Paolo Salviati, c. 1880
 

The Grand Canal   Watercolour by an unknown artist, probably late 19th century, depicting Palazzi Contarini degli Scrigni and Corfù along with Palazzo Loredan degli Ambasciatori (which conceals Rio di San Trovaso)

Rio di San Trovaso View towards the Grand Canal with Palazzo Contarini Corfù to the right Late 19th century photograph Library of Congress, Prints & Photographs Division, Photochrom Collection, reproduction number ppmsc.06696

Rio di San Trovaso The same view as the image above but in May 2004   Photograph kindly provided by Stefano Soffiato, of www.venessia.com The main parts of the two pictures are shown below side by side for better comparison.

Rio di San Trovaso with Palazzo Contarini Corfù to the right

Frederick Rolfe (Baron Corvo) describes Canon Lonsdale Ragg's apartment in 1909. The entrance (probably Dorsoduro 1057) lay in Calle Contarini Corfù, an alley perpendicular to Rio di San Trovaso. Moreover, "the Wardens’  [i.e. the Raggs’] castle in Palazzo Corfù began on the fifth storey with four enormous halls and a chapel containing a lavatory, egregiously plank- and shaving-littered, obstructed by made and unmade packing-cases. Monstrous old couches, bureaux, pianos, book-shelves, crated and uncrated, sprawled and straddled across marble floors. The first hall was mucked with rejected crockery, kitchen stuff, and furniture. A winding stair in a turret led, past a kitchen (similarly disordered), to a top storey of nine garrets (one large, four tiny, all low) lying along extended corridors.  ...  Crabbe wandered about, wondering why in the world the Wardens never occupied this apartment instead of borrowing other people’s or living in hotels, as Erastian Venice tittle-tattle said was his constant habit. It was light, airy, well-sunned: from its windows were simply lovely views, of Canalazzo to beyond the Salute on the one hand, and (on the other) over the marvellous tiled roofs and chalice-like chimneys and verdant terraces and gardens and solemn byzantine bell-towers of the greater part of the city, across the blue lagoon to the snow-clad battlements of the Alps seventy miles away. It was an eyrie aloft, where one might have made oneself most smug and secret and have done no end of decent work. But the rooms hadn't been prepared for habitation for years and years." (Desire, p. 212)

Ragg's apartment, then, would have been situated in the Corfù part of the complex, and may have had a direct connexion with, or even extended into, the degli Scrigni part. Mereweather may have occupied the same apartment and held services there; if so, it could well have been more practical for the congregation to use the degli Scrigni entrance on the Grand Canal rather than enter from the back alley. Besides, since the apartment had not been lived in for many years, one may suspect that the "monstrous old couches" and other pieces of furniture were in fact the remainder of Mereweather's belongings which his heirs had found too expensive to convey out of Venice.